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The World in Photos by Todd Hido consists of a wet, melancholy landscapes, abandoned interiors, seedy motels, homes in the middle of the night and authentic, nieplastikowych women, those with the past after crossing.
All of this fits together, composed in a more or less familiar story - a blank expression on his face, depressing, waterlogged road leading to nowhere, watching TV alone in a room, dirty snow on the roadside, an old mattress overshadows the door.
All pictures combine feelings of loneliness, emptiness, nostalgia, sadness - they are both in the faces of women and homeless wandering from house to house, dismal gapieniu in the middle of the night in a shaded window, a gloomy landscape, almost nieumeblowanym motel room, a wet car window.

I really liked how Hido when asked recently on the occasion of the exhibition in Warsaw, here is what you wish him, he replied something like: "nasty weather, because unless I choose to take pictures tomorrow." But then I read an interview in which he said that these photographs, leave him so well only in the U.S., nowhere else. For

those who want more, a short film .

Harbour Breeze Fan Parts

Half-asleep, half conscious of the industrial era

When I first looked at the photos of Asako Narahashi from the series "half awake and half asleep in the water "ocean seemed to be on them restless, oppressive and menacing, and land and processed by the human landscape of bridges and buildings, as seen from the perspective of molded drowned last wave, infinitely distant and alien. Now, actually do not know if there is terror, insecurity, loneliness and alienation, or whether it can somehow calmness, something he feels when we allow the sea to rise, or wherever, when the tear from the ordinary world, which briefly becomes the distant , bizarre and out of place. However, the fact that these photographs can be interpreted in two, in a sense exclusive ways, makes just that they are so great. Everything is on them in a such an unstable equilibrium. Just shake it slightly, and the situation of the peaceful change a formidable and overwhelming.



Whatever the interpretation, looking at the land from the perspective of the ocean, it seems that someone unnecessarily powtykał at him all the prominent buildings and bridges to tempest natural harmony between water, sky and ground. Maybe even concrete blocks bring more anxiety than the stormy sea?

In Pictures ULES Nobuo ocean is also a powerful and restless. There is perhaps at the height of your nose, but it is quite close.

But not to feel that just happen to something sinister and fatal - in a sense to them calmly. Although the fact that the sea is 2 / 3 of the frame, it is not in equilibrium with air. In the pictures by Nobuo no such harmony is like in the picture Hiroshi Sugimoto, which landed on the cover of the new U2 album.

here at all you can simply dissolve. Only if it is not a little too boring? I started not to look, and spent five minutes thinking about it - that's the answer.
And the title song from the album was reportedly based on a conversation with Bono Sugimoto, who then released him to free the picture on an exchange basis - Sugimoto can now use a U2 song. Most importantly, the pictures on the cover does not spoil any subtitles.

Yes, in terms of harmony and the sea if anyone has anything to say, it definitely Japanese.